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Venue
Moni Lazariston / Bazaar Hamam / Warehouse C, Thessaloniki Port Area / Museum of Byzantine Culture / Courtyard of the Archaelogical Museum of Thessaloniki

Artist
Solmaz Shahbazi
 Artists's biography
 
Persepolis, video, 2005 
 
 
 
 

 

Today Iran’s population is twice as big as it was before the revolution of 1978. Over 70% of the population is younger than 25. About 80% of the society can read and write. Before the revolution only 40% of the Iranians could do so. Young people are self confident. They are on their way to change the society, although slowly but certainly. Through these changes, conflicts between the generations obviously grow. One effect is the increasing number of young people, who run away from their homes. Most of them are girls between 15 and 18 years.

 

The documentary ‚Good Times/Bad Times’ is about five young people, each as a representative of a certain group in the Iranian society, whereas the so called ‘Run away Girls’ are absent. Because, although they are visible in the city, in the society they mainly seem to be invisible. And, as they have decided to leave their homes, I do not see the right to `present` them in front of the camera. So I decided to mention them, but not to make an eye catching subject out of them for the video.

 

After ‚Tehran 1380’, this video is an attempt to go one step deeper into the city of Tehran. The city was analyzed in the first video, the new inhabitants of it shall be the subject of the second one. The camera gets closer to the characters and focuses on the city from another point of view. Without an Off-Text, and using as less obvious explanations as possible, images shall get more importance. The video is a description of one moment. It has no definite ending, just as no thesis exists about the next future of the Iranian society.

 

Persepolis’ is the third video of the Tehran Trilogy. The title of the work is the name of a modern high rise building in north Tehran in which the author lives. It’s a collection of the memory of Tehran. Neighbors of different ages describe the city in different times.

Neither the person nor the city is visible. Voices and images of living rooms are the only elements through which the viewer can imagine the city and its inhabitants.

 

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